Views from Western Australia

February 4, 2009

Jeff Beck, Perth Concert Hall, 22 January 2009.

Filed under: Music Reviews, General

Jeff Beck is one of the three noted guitarists to have recorded with the band TheYardbirds. Rolling Stone ranked him among the elite level of their “100 Greatest Guitarists of All Time.” Much of Beck’s recorded output has been instrumental, and his releases have spanned genres ranging from blues-rock, heavy metal, jazz fusion and (currently) a blend of guitar-rock and electronica Beck has earned wide critical praise and four Grammy awards for Best Rock Instrumental Performance. Beck has guested at scores of sessions with everyone from Stevie Wonder and Buddy Guy to Tina Turner and Mick Jagger.

The Pertth audience was predominantly male and over fifty; with a smattering of females and twenty somethings.  But that does not take anything away from the show.

Jeff Beck is a man of few words. On stage during his first concert in Australia for more than 30 years he uttered exactly 10. At the end of his set he sandwiched the names of his three band members between two thankyous. 

Beck has done it his way. He enjoyed initial success and over the years he’s disappeared and then re-emerged from time to time.
From the opener, 1967 B-side ‘Beck’s Bolero’, to the tender encore ‘Where Were You’, Beck was riveting.

Moving mostly between jazz fusion, driving rock and gentle balladry, gave extended workouts on his cream Fender Strat. His touch was precise on the mostly original tunes. TAKE a crystal glass ringing, a drag car screaming, a logging saw shredding, a power line howling, a steam whistle blowing… These are the live sounds Jeff Beck can conjure from a single guitar; and all are down without a swag of effects pedals.  His standard position is to pick with his thumb, and with the whammy bar resting between his knuckles so he can still reach the volume controls. So much appeared to result from so little effort.

The Beatles’ gem ‘A Day in the Life’ was placed at the end of the main set He closed the set and it demonstrated what he can do with popular classics.

One is left to wonder what those legendary jams he had with Hendrix were like?

October 21, 2008

Little Walter - Best (Chess 50th Anniversary Collection)

Filed under: Music Reviews

These are the recordings that changed the sound and style of blues harmonica forever.  Marion Walter Jacobs (b. 1930 Louisiana) was influenced by Sonny Boy Williamson (No. 1) and Louis Jordan with his jump saxophone arrangements and then revolutionized the blues harmonica technique after arriving at Chicago’s notorious ‘Maxwell Street’ market in 1947.

Little Walter was in a league of his own when it came to playing the harp and he pioneered the modern day harp sound when he was the first harp player to go "electric" by using a hand held microphone and amplifier which gave him the fat harp tone that became known as the ‘Mississippi Saxophone’.

In 1951 the Chess brothers hired him to back Muddy Waters and Jimmy Rogers, and it was as much his amplified harmonica that became a signature sound on many of Waters biggest hits from the period.

In 1952 he literally burst into prominence in his own right with his instrumental ‘Juke’ which went to # 1 and stayed there for eight weeks.  The follow-up ‘Sad Hours’ reached  # 2 early in 1953, while the flipside ‘Mean Old World’ reached # 6.  For blues trivia buffs, it is interesting to note that Muddy Waters played guitar on each of these first three hits.  Later that same year he charted with ‘Off The Wall’ (# 8 )and ‘Tell Me Mama’ ( # 10).  From there to 1959 he would have 10 more hit singles; including the seminal ‘My Babe’ written by Willie Dixon which his other # 1 hit (for five weeks early in 1955).

Little Walter Jacobs is – perhaps - the most influential harmonica player in contemporary blues.  For example during the emerging 60’s British blues scene his song "It Ain’t Right" was covered by John Mayall and Eric Clapton on the classic Bluesbreakers album and the Rolling Stones covered “Confessin’ The Blues".

Adding to this CD’s value are the six pages of liner notes written by music historian Billy Altman, which includes the story behind Juke, several photographs, and a complete discography.  

Walter died from injuries sustained in a street brawl at the age of only 38.  Altman wrote "By 1968 he was gone, leaving behind a legacy that harmonica players everywhere regard as, quite simply, the holy grail."

This album is a must for anyone who either fancies themselves a blues harmonica player or is interested in the history of popular music.

October 6, 2008

Jon Lord & Hoochie Coochie Men - Live At The Basement

Filed under: Music Reviews

Jon Lord of the legendary seventies hard rock outfit ‘Deep Purple’ travels to an iconic Australian club and delves into the blues. Lord is one of the great rock keyboardists and this disc is terrific in that it brings you an outstanding  Lord  gig live in a famous Sydney club. He is backed by a first class band comprising of some top shelf veterans of the Australian music scene. He performs crack arrangements of classics like ‘Strange Brew’, ‘I Just Want to Make Love to You’ and ‘Green Onions’.

The only let down is the guest vocals by Jimmy Barnes on a couple of tracks - Jimmy may be an icon of the Australian pub rock scene, but in my view his vocal style does not suit the blues Lord is presenting with the Hoochie Coochie Men - otherwise this album would get a five star rating from me.

September 18, 2008

Lee Ritenour & Dave Grusin - Amparo

Filed under: Music Reviews

Even if you don’t know their names, you will have certainly have heard their music! 

Grusin is an Oscar winner for his score for The Milagro Beanfield War, he has written over sixty movie scores, including The Champ, The Fabulous Baker Boys, The Firm, Havana, Heaven Can Wait, On Golden Pond, The Graduate, For the Boys, Selena, Mulholland Falls. 

Ritenour has recorded over forty albums as a solo artist, including: a tribute to Wes Montgomery titled Wes Bound, A Twist of Jobim, a tribute to Brazilian songwriter Antonio Carlos [“Tom”] Jobim, A Twist of Marley paid tribute to the Jamaican reggae legend and later still A Twist of Motown.  Ritenour is also a founding member of the groundbreaking soul/jazz/funk fusion band Fourplay.

Pianist/composer Dave Grusin and guitarist/producer Lee Ritenour are both well known and lauded critically and commercially beyond the jazz world; this is the second album that they have collaborated on, the first has sold over 100,000 copies.

The album is a compelling mix that includes new arrangements written by Grusin of many well regarded classical selections, including not just Faure’s Pavane, Ravel’s Mother Goose Suite, Albinoni’s G minor Adagio, and a duet from Handel’s opera Rinaldo. There’s also some Latin-inspired works penned by Dave Grusin (Three Latin American Dances), a Ritenour original composition newly arranged by Ritenour and Grusin (Echos), as well as the track which inspired the album’s title: Antonio Carlos Jobim’s Olha Maria (Amparo).

There is very little original classical music scored for piano and guitar, so when an album likes this comes along we need to take notice.  It is also of note that it has contributions by James Taylor, opera superstar Renee Fleming, classical violinist Joshua Bell, and jazz trumpeter Chris Botti. 

Decca Records

Released 9/9/2008

September 9, 2008

B.B. King - One Kind Favor

Filed under: Music Reviews

B.B. King might be eighty-two years old; but he still has what it takes; stylish, elegant, and classic are the words that come to mind in attempting to review this album.

BB King has been recording for sixty years, he was first taught the guitar by his cousin, Bukka White, for 10 months in 1946.  White’s influence can be heard in the trademark trill that became King’s signature guitar style.  Country and gospel music influences can also be heard in King’s approach, along with the styles of blues giants T-Bone Walker and Lonnie Johnson and jazz guitar pioneers Charlie Christian and Django Reinhardt.

While earlier work showcased his pleading vocals and stinging guitar, this album plays to King’s current strengths: the vibrato of his established voice, interspersed with his signature raunchy guitar technique.  King has a top shelf backing band made up of the legendary Jim Keltner (John Lennon, Mick Jagger and many more) on drums, Nathan East (Clapton) on stand-up bass and Dr. John on piano.  This top shelf crew provides a solid framework for King’s voice and guitar and yet it subtly remains in the background.

There’s a mature sophistication to this excellent collection of blues classics and this is one of the strongest studio sets of B.B. King’s career.  Producer T-Bone Burnett gave King a list of 200 songs to pick the tracks for this album and those included show the styles that have influenced King over the years.  All are songs that King has not recorded previously, including three tunes by his hero Lonnie Johnson.  The album opens with ‘See That My Grave is Kept Clean’ which sets the level of excellence and this recording of ‘Backwater Blues’ is a bound to become a classic.

The songs sound like they were recorded in a dark smoky post war nightclub; in fact Burnett re-created a 1950’s recording studio and captured King’s trademark sound by recording the songs live. This has given the album that warmth is often missing in an age of digitalia.

Others have said that this album is a masterpiece; I can only agree. King and Burnett are to be congratulated.  It might have taken sixty years to get there, but this album is timeless!

26 August 2008
Geffen Records

August 8, 2008

Willie Nelson/Wynton Marsalis

Filed under: Music Reviews

Two Men With The Blues 

A country harmonica solo followed impeccably by a jazzy sax solo! Huh? Miles Davis once said he enjoyed listening to Willie Nelson because he had a jazz sense to his music. Nelson has always had jazz nuances in his vocal style and his off-the-beat phrasing. He is also an underrated guitarist who uses chords more common to jazz than country. This meeting of two of the most important musicians in contemporary country and jazz - Willie Nelson & Wynton Marsalis - who reveal their common love of the blues. The choice of backing musicians is great, with Mickey Raphael on harmonica from Nelson’s band and the Marsalis crew. Walter Blanding on sax is terrific and is given room to play. Dan Nimmer is in excellent form on piano and he carries the album along. Nelson has recorded "Night Life" countless times already, but the growling Marsalis trumpet solo reinforces the anguish of the lyrics. Nimmer’s piano accompaniment with Raphael’s superbly understated harmonica solo in "Georgia On My Mind" is magnificent. "Basin Street Blues" and "Rainy Day Blues" gets the Marsalis crew into a familiar groove, with latter featuring Blanding and Raphael playing off each other and Nelson’s unique guitar. "My Bucket’s Got A Hole In It" is performed as a Dixieland swing number with free playing by everyone; Ali Jackson contributes an attention-grabbing drum solo with Marsalis adding a lyric. "That’s All" has everybody contributing their all which results in some sizzling playing. The version of Billie Holiday’s "Ain’t Nobody’s Business", is looser with Nelson and Marsalis both soloing along with Blanding on sax and bass player Carlos Henriquez having a crack. Nelson, from Texas, and Marsalis, from Louisiana - have no problems finding common ground. Both men love the blues, and love to play it; this meeting of master musicians is special and it all sounds like great fun. This is a fascinating blend of country jazz and blues. If anything, this album demonstrates the common roots of all three traditions.

Released July 2008

Blue Note Records 

July 25, 2008

Stevie Winwood - Nine Lives

Filed under: Music Reviews

Steve Winwood was 16 years old when he led the Spencer Davis Group in 1963 and he is an  excellent keyboardist who has remained an in-demand session musician for decades.

With ‘Nine Lives’ Winwood pulls together every style that he’s used since he began his career from old-school R&B to hard rock and jazzy progressive rock to progressive pop-rock to blue-eyed soul- and succeeds with every stylistic turn. The songs build on blues riffs, jazz, funk and folk-rock, all coupled with African and Latin influences. There is precision and style to almost every track on this album, without a single irrelevant note. The guitar has moved to the foreground on this new album, this is possibly influenced by his inclusion at the most recent Crossroads guitar festival (see other review). Winwood has put the guitar at the center of the two most compelling songs on the album, ‘I’m Not Drowning’ and ‘Dirty City’ it features Eric Clapton, and sounds as if it came right out of the Blind Faith era with a dirty guitar sound!. On ‘Fly’ Winwood brings together Brazilian and Celtic influences. ‘Raging Sea’ is a funky bass driven number and ‘Hungry Man’ is an African influenced song that grows on you with each listening.

The more I listen to this assortment of musical genres and grooves, the more I like it. Winwood turned 60 recently, his vocals are as strong and his musical sensee just as steady as it was in his teenage years.

Sony
April 2008

Buddy Guy: Skin Deep

Filed under: Music Reviews

After playing the blues for forty five years blues boss Buddy Guy shows no signs of slowing down.  Now, he has released ‘Skin Deep’, an album of 12 original songs where he is in outstanding form.

Don’t be put off by the fact that it’s yet another album with guest artists. The big differences are that Guy wrote all the material, his guitar and vocals are in top form and the guests don’t crowd the album like so often happens with tribute appearance albums.

The material is remarkable, from the set opening ‘Best Damn Fool’, with its scorching guitar complimented by the Memphis Horns section right through to the closing track ‘I Found Happiness’ with its screaming guitar and funky backbeat.

In between, Guy jams with Clapton on “Every time I Sing the Blues” and duels with Randolph’s fine pedal steel on the red hot ‘That’s My Home’. Possibly the finest moments are when Guy turns introspective on ‘Who’s Gonna Fill Those Shoes’ where he clearly grieves over the passing of the blues greats and when challenges racism on the title track ‘Skin Deep’. They’re both great songs and Guy delivers them with his trademark enthusiasm and grit.

‘Lyin’ Like a Dog’ is pure Guy with plenty of sizzling guitar on one of the best numbers; ‘Show Me the Money’ and ‘Too Many Tears’ have fine guitar work from Trucks and strong soulful vocals from Tedechi.

It’s a great Buddy Guy album and it successfully displays the searing guitar, passion and showmanship that have made Guy a true boss of the blues.  In my view this is his best overall studio set since “Sweet Tea” in 2001.

(Jive/Silvertone)
July 2008

June 12, 2008

Top Blues Songs

Filed under: Music Reviews

This is a work in progress and it has a lot of big gaps.  It should also be noted that it does not include much early acoustic blues, an important area that almost requires a chart of its own. 

These songs are not in any order of priority, rather, they are listed alphabnetically:

(I’m Your) Hoochie Coochie Man - Muddy Waters 
10 A.M. Automatic - The Black Keys
Ain’t No Sunshine Buddy Guy & Tracy Chapman
Ain’t No Sunshine When She’s Gone - Bobby "Blue" Bland
Albert’s Shuffle - Michael Bloomfield
All Your Love - Magic Sam
As The Crow Flies - Rory Gallagher
As The Years Go Passing By - Gary Moore
At Last -  Etta James
Baby Please Don’t Go - Big Joe Williams
Baby Scratch My Back - Slim Harpo
Back Door Man - Willie Dixon
Bad to the Bone - George Thorogood & The Destroyers
Ball and Chain - Big Mama Thornton
Bang, Bang, Bang, Bang - John Lee Hooker
Beaver Slide Rag - Peg Leg Howell
Black Cat Bone - Albert Collins 
Black Magic Woman - Fleetwood Mac
Black Snake Moan - Blind Lemon Jefferson
Blues After Hours - Pee Wee Crayton
Blues Before Sunrise - Leroy Carr & Scrapper Blackwell
Blues Brothers - Sweet Home Chicago (1980)
Boogie Chillun - John Lee Hooker
Boom Boom - John Lee Hooker
Boom Boom Out Go The Lights - Little Walter
Boot Hill - Johhny Winter 
Born in Chicago - Michael Bloomfield
Born In Chicago - Paul Butterfield Blues Band
Born Under A Bad Sign - Albert King
Born Under a Bad Sign Albert King & Stevie Ray Vaughan
Bumble Bee - Memphis Minnie
Catfish Blues - Robert Petway
CC Rider - Ma Rainey
Cherry Red - Luther Allison 
Cold Shot Stevie Ray Vaughan & Double Trouble
Come In My Kitchen - Robert Johnson
Crazy Blues - Mamie Smith
Cross Road Blues - Robert Johnson
Crossfire - Stevie Ray Vaughan & Double Trouble
Crossroads - Robert Johnson 
Cryin’ Shame - Lightnin’ Hopkins
Dark Was the Night (Cold Was the Ground) - Blind Willie Johnson
Déjà Voodoo Kenny Wayne Shepherd
Dust My Broom - Elmore James
Every Morning - Keb’Mo 
Everybody Needs Somebody to Love - The Blues Brothers
Everyday I Have The Blues - B.B. King
Evil - Willie Dixon
Eyesight To The Blind - Sonny Boy Williamson II
Feels Like Rain Buddy Guy
Five Long Years - B.B. King
Forty Four Blues - Roosevelt Sykes
Further On Up The Road - Bobby ‘Blue’ Bland
Georgia Blues - Jimi Hendrix
Girl Is On My Mind The Black Keys 
Give Me Back My Wig - Hound Dog Taylor
Givin’ It Up for Your Love - Delbert McClinton
God Moves on the Water  - Blind Willie Johnson
Good Morning Little Schoolgirl - Sonny Boy Williamson I
Got My Mojo Working - Muddy Waters
Graveyard Dream Blues - Ida Cox
Grinning In Your Face - Son House
Groove Me - King Floyd
Grown So Ugly  The Black Keys
Hard Luck Blues - Roy Brown
Harvey’s Tune - Michael Bloomfield
Have You Ever Loved a Woman - Eric Clapton
Heatwave - Martha Reeves and the Vandellas
Hellhound On My Trail - Robert Johnson
Hideaway - Freddie King
Highway 49 - Big Joe Williams
Hoochie Coochie Man - Muddy Waters
How Blue Can You Get? - B.B. King
How Long, How Long Blues - Leroy Carr & Scrapper Blackwell
How Many More Years - Howlin’ Wolf
Howling Wolf - Killing Floor
Hummingbird - B.B. King
I Ain’t Superstitious - Willie Dixon
I Can’t Be Satisfied - Muddy Waters
I Can’t Make You Love - Bonnie Raitt
I Can’t Quit You Baby - Otis Rush
I Could’ve Had Religion - Rory Gallager 
I Got My Mojo Working Morganfield - Michael Bloomfield
I Just Want to Make Love to You - Etta James
I Know What You’re Putting Down - Louis Jordan
I’d Love to Change the World - Ten Years After
I’d Rather Go Blind Etta James Etta James
If I Had My Way I’d Tear the Building Down Blind  - Blind Willie Johnson
If Trouble Was Money - Albert Collins
If Trouble Was Money - Albert Collins 
ife Is Beautiful - Keb’ Mo’
I’m a King Bee - Slim Harpo
I’m In The Mood - John Lee Hooker
I’m Ready - Muddy Waters
I’m Tired - Savoy Brown
I’m Tore Down - Freddie King
It Hurts Me Too - Elmore James
It’s Bad You Know - R.L. Burnside
It’s My Own Fault - B.B. King
It’s Tight Like That - Tampa Red
John the Revelator  - Blind Willie Johnson
Key To The Highway - Big Bill Broonzy
Key To The Highway - Freddie King 
Killing Floor - Michael Bloomfield
Let The Good Times Roll - Louis Jordan
Let Your Light Shine on Me  - Blind Willie Johnson
Lie to Me  - Jonny Lang
Little Red Rooster - Luther Allison 
Juke - Little Walter
Little Wing  - Stevie Ray Vaughan & Double Trouble 
Look over Yonders Wall  - The Paul Butterfield Blues Band
Lord, I Just Can’t Keep from Crying  - Blind Willie Johnson
Love In Vain - Robert Johnson
Love Me Like A Man  -  Bonnie Raitt 
Mannish Boy - Muddy Waters
Mary Ann R- Michael Bloomfield
Mary Had a Little Lamb Stevie Ray Vaughan & Double Trouble
Matchbox Blues - Blind Lemon Jefferson
Me and The Devil Blues - Robert Johnson
Memphis Blues - W.C. Handy
Messin Around - Memphis Slim
Messin’ With The Kid - Junior Wells
Mother’s Children Have a Hard Time  - Blind Willie Johnson
Mustang  -  Sally Buddy Guy
My Head’s In Mississippi  -  ZZ Top
Nobody Knows You When You’re Down & Out - Bessie Smith
Nobody’s Fault But Mine  - Blind Willie Johnson
On The Road Again - Canned Heat
One Bourbon, One Scotch, One Beer  - John Lee Hooker
One Hundred And Ten In The Shade  - Hans Theessink 
Paying The Cost To Be The Boss  -  B. B. King 
Pine Top Boogie - Pine Top Smith
Pockets  -  Eric Bibb
Pony Blues - Charley Patton
Praise God I’m Satisfied  - Blind Willie Johnson
Preaching The Blues - Son House
Pride and Joy Stevie Ray Vaughan & Double Trouble
Reconsider Baby - Lowell Fulson
Red Devils - Devil Woman
Red House - Jimi Hendrix
Red Light  -  Jonny Lang
Riding with the King  B.B. King & Eric Clapton
Rock Me Mama - Arthur ‘Big Boy’ Crudup
Rollin & Tumblin - Elmore James
Room To Move  -  John Mayall 
See That My Grave Is Kept Clean - Blind Lemon Jefferson
Shake Your Moneymaker - Elmore James
Shake, Rattle and Roll - Joe Turner
Sleepy Time, Time (Live version) - Cream
Smokestack Lightnin - Howlin’ Wolf
Smoking Gun  - Robert Cray
Something to Talk  - Bonnie Raitt
Soul Man   - The Blues Brothers
Spoonful - Willie Dixon
Statesboro Blues - Blind willie McTell
Statesboro Blues - Taj Mahal
Still Got The Blues (1990) Gary Moore 
Stone Crazy  -  Buddy Guy
Stop - Michael Bloomfield
Stop  -  Lonnie Mack 
Stop Breakin’ Down - Robert Johnson
Stormy Monday - T-Bone Walker
Stormy Weather  -  Etta James
Superstition Stevie Ray Vaughan & Double Trouble
Sweet Black Angel - Robert Nighthawk
Sweet Home Chicago - Robert Johnson
Sweet Sixteen  -  B.B. King 
Taint Nobody’s Bizness If I Do - Bessie Smith
T-Bone Blues - T-Bone Walker
Texas Flood  - Stevie Ray Vaughan & Double Trouble
The Little Red Rooster - Willie Dixon
The Messiah Will Come Again  -  Roy Buchanan 
The Messiah Will Come Again  -  Gary Moore 
The Same Thing - Willie Dixon
The Seventh Son - Willie Dixon
The Sky Is Crying - Elmore James
The Sky Is Crying Stevie Ray Vaughan & Double Trouble
The Things That I Used To Do - Guitar Slim
The Thrill Is Gone - B.B. King
The Walkin’ Blues - Taj Mahal
Third Degree  -  Eric Clapton 
Three O’Clock Blues - B.B. King
Tight Like That  - Tampa Red & Georgia Tom
Tomorrow Night - Lonnie Johnson
Too Much Alcohol  -  Rory Gallagher
Up All Night Thinking  - Dave Hole 
Walking By Myself  -  Gary Moore
Wang Dang Doodle - Koko Taylor
We’re Gonna Make It - Little Milton
West Coast Blues - Blind Blake
When Love Comes to Town  B.B. King & U2
Where Did You Sleep Last Night?  -   Leadbelly
Whole ‘Nutha Thang  - Keb’ Mo’
Worried Life Blues - Sleepy John Estes
You Don’t Love Me  - Michael Bloomfield

June 11, 2008

Songs of Australia

These are a selection of almost 200 great Australian songs.  They are listed alphabetically (by artist) and they are great for a whole range of reasons (that does not mean that I like them all!)

so here goes:

It’s A Long Way To The Top      by AC/DC
You Shook Me All night Long  by AC/DC
Highway to Hell  by AC/DC
Jailbreak  by AC/DC
The Crucifixion  by Aragon
They Took the Children Away   by Archie Roach
The Boys Light Up  by Australian Crawl
Reckless   by Australian Crawl
 My babies gone  by Axiom
A little ray of sunshine  by Axiom
Rush  by Big Audio Dynamite
Breakaway  by Big Pig
Most People I Know  by Billy Thorpe & The Aztecs
Children of the Sun  by Billy Thorpe & the Aztecs
Poison Ivy   by Billy Thorpe & the Aztecs
Seasons Of Change     by Blackfeather 
Brown Skin Baby   by Bobby Randall
I Remember When I Was Young  by Chain
Run To Paradise     by Choirboys 
Bridges  by Chris Bailey
Cheap Wine  by Cold Chisel
Khe Sanh  by Cold Chisel
Don’t Dream it’s Over  by Crowded House
Eagle Rock   by Daddy Cool
Hi Honey Ho too  by Daddy Cool
Come Back Again  by Daddy Cool
One Summer  by Daryl Draithwaite
Alive and Brilliant  by Deborah Conway
Way Out West  by Dingoes
I Touch Myself     by Divinyls
Science Fiction   by Divinyls
That Hanging Business   by Do Re Mi
Without You     by Doug Parkinson In Focus 
April Sun In Cuba     by Dragon
And the Band Played Waltzing Matilda  by Eric Bogle
Hey St. Peter     by Flash & The Pan 
Sounds Of Then (This Is Australia)     by Ganggajang
King of Wishful Thinking  by Go West
Solid Rock   by Goanna
What’s My Scene     by Hoodoo Gurus
Bitter Sweet  by Hoodoo Gurus
The Right Time  by Hoodoo Gurus
Breakneck Road  by Hunters & Collectors
Throw Your Arms Around Me   by Hunters & Collectors
Talking To A Stranger     by Hunters & Collectors
When the River Runs Dry  by Hunters & Collectors
Get Rocked!     by Hush
Tuckers Daughter  by Ian Moss
Telephone Booth  by Ian Moss
Great Southern Land     by Icehouse
Electric Blue  by Icehouse
Original Sin   by INXS
Need You Tonight  by INXS
Burn For You  by INXS
Along the Road to Gundagai  by Jack O’Hagan
I’m and individual  by Jacko
Motors Too Fast  by James Reyne
You I Know     by Jenny Morris
Are You Gonna Be My Girl  by Jet
Undecided  by Jim Keays
Working Class Man     by Jimmy Barnes
Quasimodo’s Dream   by Jimmy Little
Royal Telephone  by Jimmy Little
Hit & Run     by Jo Jo Zep & The Falcons
Shape I’m In   by Jo Jo Zep & the Falcons
Hit & Run  by Jo Jo Zep & the Falcons
Yill Lull   by Joe Geia
The Wild One   by Johnny O’Keefe
Rebel Rock     by Johnny Rebb & The Rebels 
From Little Things, Big Things Grow    by Kev Carmody
Gonna See My Baby Tonight     by La De Das
One Perfect Day  by Little Heros
Cool Change   by Little River Band
Help Is On It’s Way  by Little River Band
Living in a Child’s Dream  by Masters Apprentices
Elevator Driver  by Masters Apprentices
Because I Love You  by Masters Apprentices
Turn Up Your Radio     by Master’s Apprentices 
It’s Because I Love You  by Master’s Apprentices 
Western Union Man     by Max Merritt & The Meteors
Down Under  by Men at Work
Who Can It Be Now?     by Men At Work
The Nips Are Getting Bigger     by Mental As Anything
Computer Games  by Mi Sex
You Just Don’t Care  by Mi Sex 
Don’t Wanna Be The One     by Midnight Oil
Blue Sky Mining  by Midnight Oil
Put Down that Weapon   by Midnight Oil
River Runs Red   by Midnight Oil
Beds Are Burning  by Midnight Oil
Power and the Passion   by Midnight Oil
Out Of Mind, Out Of Sight     by Models
State of the Heart  by Mondo Rock
Summer of ‘81  by Mondo Rock
Chemistry  by Mondo Rock
Come Said the Boy  by Mondo Rock
Cool World   by Mondo Rock
What About Me?     by Moving Pictures
The Ship Song   by Nick Cave
We Have Survived   by No Fixed Address
Take Me Back     by Noiseworks 
Shakin’ All Over     by Normie Rowe & The Playboys 
On The Prowl     by Ol’ 55
To Her Door   by Paul Kelly
Reckless   by Paul Kelly & The Coloured Girls
Before Too Long     by Paul Kelly & The Coloured Girls
Going Back Home  by Pigram Brothers
The Day You Come   by Powderfinger
Aloha Steve & Danno     by Radio Birdman
Decent Into Maelstrom  by Radio Birdman
That Ain’t Bad     by Ratcat
Running With The Hurricane   by Redgum
I Was Only Nineteen   by Redgum
Girls On The Avenue     by Richard Clapton
Deep Water  by Richard Clapton
Every Little Bit of Australia   by Rod Boucher
Maybe Midnight  by Rose Bygrave
Bad Boy For Love     by Rose Tattoo
The Real Thing   by Russell Morris
Truly Madly Deeply  by Savage Garden
Broken Down Man   by Scrap Metal
Better     by Screaming Jets
Don’t Give Your Heart Away   by Scribble
For Your Eyes Only  by Sheena Eastern 
Howzat     by Sherbet
Summer Love  by Sherbet
Anthem for the Year 2000   by Silverchair
Tomorrow   by Silverchair
Horror Movie     by Skyhooks
Lygon Street Limbo  by Skyhooks
Women In Uniform  by Skyhooks
Jukebox in Siberia  by Skyhooks
Living in the 70’s  by Skyhooks
Pub With No Beer   by Slim Dusty
Always and Ever   by Southern Sons
Hold Me In Your Arms  by Southern Sons
Heart in danger  by Southern Sons
I’ll Be Gone  by Spectrum
On My Way     by Spiderbait
I Got You     by Split Enz 
History Never Repeats  by Split Enz 
Dont Tear it Down  by Spy Vs Spy
Evie Pt 1,2 &3  by Stevie Wright
Alone With You  by Sunnyboys
Jump In My Car     by Ted Mulry Gang
I Ain’t The One   by The Angels
Face The Day   by The Angels
Mr Damage  by The Angels
No Secrets  by The Angels
Shadow Boxer   by The Angels
Take A Long Line    by The Angels
Am I Ever Gonna See Your Face Again  by The Angels
Bombora     by The Atlantics
Green Limousine     by The Badloves
Chained to the Wheel  by The Black Sorrows 
 Harley and Rose  by The Black Sorrows 
Shivers  by The Boys Next Door
Under The Milky Way  by The Church
Unguarded Moments  by The Church
Wait Up   by The Cockroaches
She’s The One     by The Cockroaches
The Honeymoon Is Over     by The Cruel Sea
Gee     by The Delltones
Good Times  by The Easybeats
She’s so fine  by The Easybeats
Friday on My Mind  by The Easybeats
Sorry  by The Easybeats 
Don’t Fall in Love  by The Ferrets
Cattle and Cane   by The Go-Betweens
Big Time Operator     by The Id (With Jeff St. John)
Elvisly Yours   by The Johnnys
Second Solution     by The Living End
The Loved Ones   by The Loved One
In the Summertime  by The Mixtures
Out Of Mind Out Of Sight  by The Models
Barbados  by The Models
I Hear Motion  by The Models
Gimme Head  by The Radiators
Quasimodo’s Dream   by The Reels
(I’m) Stranded  by The Saints
No,Your Product  by The Saints
Dont Throw Stones  by The Sports
Who Listens To The Radio?     by The Sports 
Runaway Boys  by The Stray Cats
Wide Open Road   by The Triffids
Get Free     by The Vines
No Aphrodisiac   by The Whitlams
Someday, Someday     by Thirsty Merc
Everlasting Love  by Town Criers
My Island Home  by Warumpi Band.
Woman     by Wolfmother
Treaty  by Yothu Yindi
Jewels & Bullets   by You Am I
Berlin Chair     by You Am I 
The Freak  by Zoot

and finally, You’re the Voice   by John Farnham for the lamest Aussie song of all time!

 

comments are welcome and might even be appreciated…

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